The Joy Is In The Process

Scrolling Ashley Dreyfus's Insta feed is an act of self-care. The LA-based illustrator and muralist makes the kind of joyful, character-filled work that feels like a '60s cartoon directed by David Lynch set to The B-52's Rock Lobster. Her playfully surreal world, filled with a revolving cast of cheeky pets and smiling foliage, has helped her land projects with Urban Outfitters, Crocs, Pabst Blue Ribbon, Modest Mouse, and Waymo, just to name a few.
We sat down with Ashley to find out how five years of daily drawing shaped everything she makes, the importance of routine, and how finding the right tools completely transformed her art.
You're proudly a self-taught artist. How did you get your start?
I grew up in Idaho. I always felt passionate about making art and being creative, it felt woven into my DNA. When I went on to graduate high school, I was stoked to get out into the world and feel less confined to a classroom space. I got a day job and started learning how to draw digitally through outlets like YouTube and meeting other creatives in my community. I then started what I called a 365 drawing a day project, I was creating a new piece of art every day and using Instagram as my outlet to share my portfolio at the time.
Over the years, as I started sharing more and more of my work online, I was able to connect with clients, and find my niche community in the art world. This challenge helped me refine the art style that I love to work in, but also create a discipline to constantly create and stick to a routine! This wacky and alternate path that I chose during my early 20’s helped me go full-time as a freelancer, and now I have the chance to work on such incredible projects I never would have expected to come to fruition when I first started out.
"MOST, IF NOT ALL OF MY ART IS BASED ON TRUE STORIES AND EXPERIENCE EXPERIENCES I’VE HAD, BUT WITH A FUNKY TWIST."

Sounds like routine played a huge role in your journey.
I’ve always had a pretty solid routine when it comes to creating, all of my art always starts as a sketch in my sketchbook. I’m super inspired by the world around me, so I’m always keeping an eye out for cool objects, buildings, and flora that stand out to me in my everyday. Then when I’m ready to bring an idea to fruition, I love pasting sketches together using my ipad and create an entire scene/story.
Your characters and worlds feel dreamlike and joyful yet grounded in everyday life. How do you balance spontaneity with intent in your creative process?
My art is really inspired by my perspective on life. I love having fun and being out in nature, there’s really so much to take in when you step outside your front door every day. and for me, I can find so much joy in the little details I see on my daily adventures. Most, if not all of my art is based on true stories and experiences I’ve had, but with a funky twist.

Has your approach to subject matter changed as you take on murals and commercial projects?
One of my favorite parts of working on any project is that people reach out to me for my style specifically, and I especially love being able to imagine other people’s ideas and concepts in my world. It always feels like a collaboration, and it challenges me to think in new perspectives and create one-of-a-kind pieces for clients.
"I ALWAYS FIND THAT DURING THE TIMES WHEN I’M NOT THINKING ABOUT CREATING, MY SUBCONSCIOUS TAKES OVER AND MY BEST IDEAS HAPPEN!"
Do most pieces begin for you with a clear direction, or do you tend to feel it out as you work?
When I work on a new piece, I pretty much already know what I will draw before I even put pen to paper. It feels like a weird sixth sense to me, but creating has always been my escape and I truly feel a connection with every piece of art that I start and finish!

How did your style develop? Was it specifically inspired by anything or anyone in particular, or something that just evolved over time?
I’ve always been heavily influenced by cartoons, comics, and fashion! Over time, I have played with different versions of the same style, but overall I’ve always loved working with bright colors, fictional characters, and psychedelic patterns. My biggest influences in art are Peter Max, Keith Haring and pop art that came out of the era of the 1960s and 70s.
Was there a moment when you realized texture was the thing for you or did it sneak into your work quietly and never leave?
I was actually introduced to paper textures by one of my friends, but I’ve always wondered how artists incorporate that detail into their work. It was like night and day to me. Once this door was opened for me, it changed the whole way I view making art, and it’s elevated my digital drawings so much!
Add ultra-realistic paper texture to your work with Infinite Pulp
"ONCE I HAD THE TOOLS I NEEDED, I FELT LIKE THIS WHOLE NEW WORLD OPENED UP TO ME WITH CREATING ART DIGITALLY."
Do you remember your first True Grit encounter? How did you find our tools?
I first found out about True Grit through a friends recomendation, and my first package I bought from the site was the Beat Tones! I was very novice to using my iPad at the time, but once I had the tools I needed, I felt like this whole new world opened up to me with creating art digitally.
Our Beat Tones Halftone Brushes in action
What made True Grit stick when so many brush packs end up quietly ignored in a folder somewhere?
I’ve always wanted to play around with texture brushes in my work. When I discovered texture tools like True Grit, I was so excited to experiment and try out every single brush in the packages to see how it could pair with my art. I never grow bored of drawing digitally now because I have so many different texture tools to play with!

Walk us through how texture shows up in your workflow. Is it an early decision, a finishing move, or a “this needs something more” moment?
Texture is something I like to add at the very end of my illustrations. Whether I am overlaying a marker texture, adding half-toned dots, or dropping in a paper texture. I am more is more kind of gal, so it’s always fun to play around and see what feels right!
"I LOVE TAKING WALKS, VISITING THE LOCAL ANTIQUE MALL, AND SPENDING MY WEEKENDS RUMMAGING AT THE FLEA MARKETS".
Do you tend to keep your process and aesthetic consistent, or are you always tweaking things and evolving your style?
I’m always refining my work! For example, my animal characters have become human like and wear fun vintage clothes. It’s fun to not feel confined to one idea or drawing things any certain way. Playing around with shapes and colors always keeps things feeling fresh and new in my work.

Which True Grit tools are basically on speed dial for you? Any ride or die brushes you reach for without thinking?
The Rough 'N Stuff brush from the Monomania brush pack is my personal favorite. I like brushes that are consistent and don’t have any taper to them. I also enjoy giving my heart a vintage feel, and this pack specifically checks all of those boxes for me!

Ashley's go-to? Monomania mono-weight liners

When inspiration runs low, what usually helps you reset or reconnect with your practice?
I love taking walks, visiting the local antique mall, and spending my weekends rummaging at the flea markets. I always find that during the times when I’m not thinking about creating, my subconscious takes over and my best ideas happen!
What are you excited to explore next in your work?
I've recently loved creating more expansive Where’s Waldo-ish drawings involving scenery, characters interacting and fun little easter eggs. Those types of illustrations take a lot more time to draw, but I feel the gratification so much more once I finish something more challenging like that.

What do you listen to when working?
Music helps so much as a visualizer for my art. I've been enjoying a lot of funky music of the ’60s and ’70s recently, haha. I’ve especially been turning to ABBA, The Mamas and the Papas, and The B-52's.
FAST FIVE
Favourite thing to draw?
Mushrooms and Cats
What's the one piece of work you're most proud of?
A design I created for Pabst Blue Ribbon’s beer cans back in 2021
Something about you nobody would suspect?
I go to bed at 9pm every night lol
Most underrated skill required as an artist?
Being able to get into a flow state and create without boundaries!
Favorite artist/musician/film maker, dead or alive?
Peter Max, Tame Impala, David Lynch

Ashley Dreyfus is a freelance illustrator and mural artist based in Los Angeles, CA
Website | Instagram
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